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qatsiBook Review: The Assassin of Verona, by Benet Brandreth
Although it's a few years ago, I thought The Spy of Venice good enough to put its sequel on my to-read list, and it turned up as a Christmas present. In need of something more detached from the here and now, it was a good time to read it. Our theatrical heroes are improvising as diplomatic impostors in the Republic of Venice, but they are aware that they are pursued by a new and unrelenting Pope. In due course, but not straightforwardly, they make their escape to the mainland, where they face new challenges in the environs of Verona. The Duke upon whom they importune themselves has problems of his own, both in the matter of marriage for his assertive and rebellious daughter, and of the zealous clerics investigating affairs across his land. With a relatively small cast, Brandreth creates an enjoyable romp, not to be taken entirely seriously, but at the same time with enough authenticity for the period. Obviously I've forgotten many details of the first story, but recalled enough to ease into this one quickly. I didn't find as many obviously Shakespearean quotations sneaked into this text, but I suspect they are there for those who know. This is a case where I would definitely recommend beginning with the first novel; although this one can stand on its own I think there is a lot of back-story that benefits from being understood. The conclusion leaves open an opportunity for a trilogy or more, but at the time of writing this is the end of the road.
Although it's a few years ago, I thought The Spy of Venice good enough to put its sequel on my to-read list, and it turned up as a Christmas present. In need of something more detached from the here and now, it was a good time to read it. Our theatrical heroes are improvising as diplomatic impostors in the Republic of Venice, but they are aware that they are pursued by a new and unrelenting Pope. In due course, but not straightforwardly, they make their escape to the mainland, where they face new challenges in the environs of Verona. The Duke upon whom they importune themselves has problems of his own, both in the matter of marriage for his assertive and rebellious daughter, and of the zealous clerics investigating affairs across his land. With a relatively small cast, Brandreth creates an enjoyable romp, not to be taken entirely seriously, but at the same time with enough authenticity for the period. Obviously I've forgotten many details of the first story, but recalled enough to ease into this one quickly. I didn't find as many obviously Shakespearean quotations sneaked into this text, but I suspect they are there for those who know. This is a case where I would definitely recommend beginning with the first novel; although this one can stand on its own I think there is a lot of back-story that benefits from being understood. The conclusion leaves open an opportunity for a trilogy or more, but at the time of writing this is the end of the road.