That money-lender Jucundus
May. 20th, 2026 08:40 pmBook Review: Pompeii, by Robert Harris
There seems to be a union by-law that any work about Pompeii must contain at least a reference to Lucius Caecilius Iucundus. In this case it's only a cameo in a passing line, but nonetheless it adds something. A much more significant character in the book is Pliny the Elder: partly for his control of naval resources in the area, but also because of his scientific curiosity.
The beginnings of the novel are modest: It is AD79, and the new aquarius, Marcus Attilius Primus, is conducting surveys and repair works with his reluctant band of workers, when news arrives that the water has stopped flowing to the town of Nola. At the same time, the prized fish of Numerius Popidus Ampliatus are dying in Misenum: the supposedly fresh water reeks of sulphur.
Obviously, the reader knows broadly what is about to happen, so the plot has to work its way convincingly through known history, which it does successfully. Attilius visits Pompeii, then follows the course of the aqueduct to trace the fault. But Harris interweaves Roman politics, corruption, and the mysterious disappearance of Attilius's predecessor Exomnius. The inclusion of Tiro, the blind water-slave, feels like a nod to Nydia in Bulwer-Lytton's Last Days of Pompeii.
The details of the ending are never obvious; and while it sometimes stretches the possible, it never loses touch with reality altogether. This is, quite literally, science fiction, and it works well.
There seems to be a union by-law that any work about Pompeii must contain at least a reference to Lucius Caecilius Iucundus. In this case it's only a cameo in a passing line, but nonetheless it adds something. A much more significant character in the book is Pliny the Elder: partly for his control of naval resources in the area, but also because of his scientific curiosity.
The beginnings of the novel are modest: It is AD79, and the new aquarius, Marcus Attilius Primus, is conducting surveys and repair works with his reluctant band of workers, when news arrives that the water has stopped flowing to the town of Nola. At the same time, the prized fish of Numerius Popidus Ampliatus are dying in Misenum: the supposedly fresh water reeks of sulphur.
Obviously, the reader knows broadly what is about to happen, so the plot has to work its way convincingly through known history, which it does successfully. Attilius visits Pompeii, then follows the course of the aqueduct to trace the fault. But Harris interweaves Roman politics, corruption, and the mysterious disappearance of Attilius's predecessor Exomnius. The inclusion of Tiro, the blind water-slave, feels like a nod to Nydia in Bulwer-Lytton's Last Days of Pompeii.
The details of the ending are never obvious; and while it sometimes stretches the possible, it never loses touch with reality altogether. This is, quite literally, science fiction, and it works well.






