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Yesterday we went to the British Museum's Hiroshige exhibition. Like pre-Raphaelites, I tend to think that Japanese prints are a money-spinner for museums and galleries. This one was reasonably busy but hardly packed. For the most part, the pictures are enchanting landscapes, townscapes, birds and flowers. There's a fair amount of background and technical information included, such as the reuse of woodblocks with different colourations to produce prints from the same master indicating different times of day or season, or simply to cater for changing tastes. I found the depiction of rain particularly interesting, a heavy diagonal overlay that sometimes almost looks as if it has been scratched into the print. One or two prints of actors or courtesans reminded me of the Edo Pop exhibition from last year, and in the section on Hiroshige's legacy there was also a reference to the Yoshida dynasty.
Mount Fuji and Otodome Falls
Cherry Blossoms on a moonless night along the Sumida river
Pheasant and Chrysanthemums
First Shono from Fifty-Three Stages of the Tōkaidō
Portrait of Hiroshige by Kunisada